Yana Craft Workshop

A Thousand Years of Craft

Our Workshop

Deep in the ancient city of Patan — the metalworking capital of Nepal — our craftsmen carry forward an unbroken lineage of copper casting dating to the Licchavi period.

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The Newari Tradition

Patan — City of
Master Craftsmen

Patan has been Nepal's centre of metalwork for over twelve centuries. The Newar people developed copper casting to an unparalleled refinement — their work adorns monasteries from Lhasa to Tokyo.

When you acquire a piece through Yana Craft, you are participating in the preservation of a living cultural tradition. Each copper statue carries within it the skill of generations.

"Each statue must be iconographically perfect — the proportions, the mudra, the expression. The deity must be able to inhabit it."

— Master Craftsman, Patan

From Wax to Gold

The Making of a Statue

01

Wax Modelling

The master sculptor hand-carves every detail in beeswax — expression, mudras, ornaments — a process taking weeks for a single piece.

02

Clay Casting

The wax model is coated in layers of fine clay then fired. The wax melts away, leaving a perfect hollow mold — the ancient lost-wax technique.

03

Copper Pouring

Molten copper is poured into the mold with the concentration of a lifetime of practice. The alloy is carefully prepared to achieve the signature warm lustre.

04

Hand Finishing

Once cooled, each statue is hand-chiselled, polished, and detailed. Eyes are inlaid. Every surface is refined entirely by hand.

05

Gold Plating

Selected pieces receive 24-karat gold gilding applied using traditional fire-gilding methods, giving the warm luminous finish prized by collectors.

06

Consecration

Many statues are brought to local monasteries for consecration by Buddhist monks before leaving Nepal — filling the interior with sacred mantras.

Commission a Piece

We accept bespoke commissions — a specific deity, size, or finish. Each piece is hand-crafted in copper and finished to your specification. Lead time is typically 3–6 months.

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